diSKOAverweekly: Week of February 10, 2021
Hello again. đĽ°
Been a little while since I felt like updating this. Did yâall miss me? Fuck Iâve missed yâall. And doing this. I wonât go into detail about everything thatâs happened since last we met. Also I canât really say for sure that weâre back online full throttle go go go with updates on this site in addition to this playlist. That said, when the feeling comes to connect with some fellow digital crate diggers Iâm not gonna talk myself out of it anymore, even if sometimes I make myself crazy with how much detail I want to cram into these updates, lol. Anyway the sun is shining, Iâm still covid-free, and I love you all so much that I just had to share these.
Until next time! Whenever that isâŚ
đâ¨
Arlo Parks- âPorta 400â
If you have not pressed play on Collapsed In Sunbeams yet I hate to spoil the ending for you right off the bat like this, but also like, shame on you for not rushing immediately to support this little slice of heaven on earth. I have made jokes in the past about how I love it when bands just âdump glitter on their problemsâ. The Arlo Parks take on this vibe is the opening lyric (and honestly kind of its own self-review of the album), when she opens the track with, âmaking rainbows out of something painfulâ. I love her so very much. The record is absolutely breathtaking. We are so blessed to have been afforded this moment to learn from her. And possibly heal with her, too?
Anees - âMaybeâ
So I am part of the statistic of millennials who mostly lurk on TikTok, fascinated to see what The Algorithm⢠has chosen to reflect back as its interpretation of my True Self. No one is surprised that eventually it started trickling in really talented baby bands and they are all SUCH LOVELY PEOPLE oh my god. DC rapper Anees is a shining example of that. My goodness I just want to put this kid in my hoodie pocket and keep him safe forever. Heâs only 3 tracks into his formal foray into music, but has been experimenting with rapping on Instagram since 2019. I came in on âMaybeâ, which follows âBrown Kidâ, a track where he shares his perspective of being a Palestinian/Lebanese kid in a very white America, and debut track, âNeverland Flyâ, which details how the rapper chooses to rise above any of his negative thoughts and stay up in the clouds. âMaybeâ is such a lovely little ditty to carry with you wherever you go to remind you to keep dreaming and to do your best to not let the bullshit weigh you down. PS if you want proof of his vocal abilities in real time, kid is live on TikTok fairly frequently just rapping in his car, experimenting with new lyrics.
Sycco - âDribbleâ
God damn Slum fam are always such a good barometer of quality in terms of cool new things to check out. Enter: Sycco (pronounced âpsychoâ) and her breakout jam, âDribbleâ. The track was produced by Edward Quinn (the quiet producer half of slum fam), as well as her latest, âGermsâ, which has also started to gain some traction. Iâm not sure who was working with her on her earlier tracks, but I really like the way her sound has evolved with these two tracks. She definitely sounds more âat homeâ than she does with her earlier tunes. I hope she has plans for 2021 because I could see this casual crush I have on her voice intensifying with just the slightest of nudges.
Wake The Wild - âRewindâ
Fun true story, this track initially dropped in Summer 2020 but then vanished. For 6 months in the playlist where I had excitedly tossed it to play it back on the regular it was faded pixels of its former self. I checked back on it more often than Iâd like to admit. Then like its very own Christmas miracle it came back in early December. I think itâs the best track theyâve released to date. You should also check out the EP they dropped last year, too. Itâs great, just not as trance-inducing as Iâve come to find âRewindâ to be.
Hablot Brown - âGO (Dam Swindle Remix)â
This remix is EXCELLENT. Dam Swindle really took one look at Hablot Brownâs âGOâ and said, âYou knowâŚyou can dance with your darkness if you want.â The rework is really balanced in the way it elevates the songâs essence without distracting you too much with its bouncy popped out production. I wasnât familiar with either artist until The Algorithm⢠plunked this in my lap, but Iâm really excited to spend more time digging through their respective catalogs because everything else Iâve sampled so far has been great.
JESSIA - âIâm Not Prettyâ
So remember that time deadmau5 was livestreaming himself working on an idea for a track and this dude Chris James randomly DMs him a vocal that he thought could be cool with what Joel was working on and that turned into âThe Veldtâ? So this is the like TikTok indie pop version of that story essentially. On January 1st, JESSIA posted a TikTok of herself singing the catchy ass chorus in her car. The sound got picked up really quickly. Like really quickly. So much so that The Algorithm⢠did its magic and it landed on producer Elijah Woodsâ For You Page feed and it was subsequently transformed into the rough sketch of the bop you hear today by the 3rd. The song was formally released *checks notes* 5 days later and is already sitting at 17 million plays on Spotify. Itâs now starting to get a little radio play, too! What I really love about this track is that it speaks to the authenticity and vulnerability that people love about music. Thereâs no flexing or pretending like everything is fine. Also thereâs just something really magical about how this is essentially a community-created track. Like *The People* basically decided that this idea was worthy of quality collaboration and said âdo your thang, algorithm! make it happen!â AND IT DID. So there is your How To Sound Interesting At Parties (When Covid Is Over) With Kibbe for the week.
Jordana - âFuck Youâ
As a connoisseur of âFuck Youâ songs I gotta say that this one can easily throw down among the likes of Lily Allen and Cee-Lo Greenâs legendary hits imo. While those songs have these grandiose productions to really launch their lyrics into the stratosphere, Jordanaâs more understated approach is way more effective in dismissing whatever dumb fuck is deserving of this energy. The âFuck Youâs of the past sometimes come off as trying to cover up a lot of hurt by making a big scene of how much one can go fuck themselves. With this newcomer, itâs as easygoing and upbeat like a Sheryl Crow âAll I Wanna Do Is Have Some Funâ but then proceeds to casually acknowledge and shrug off someoneâs bullshit. Itâs really such a cool choice of execution given how different the rest of Something To Say To You sounds. I like that every time this comes on I just kinda smirk and Iâm like, âyeah, fuck that dudeâ.
Joey Purp - âElasticâ
Another fun track that them teens on TikTok decided wasnât done with it yet even though QUARTERTHING is almost 3 years old now. I think one of the things I like about the ecosystem of TikTok so much is how songs like this are passed around and you find a really interesting subculture of sorts that materializes around a particular sound. Yes of course I know that this is how music typically works, but when I skim the TikToks around any particular sound it almost seems to me that where we used to dress a specific way to essentially reflect our music tastes, people on TikTok basically âwear songsâ to find each other. IDK - bare with me, as you can see TikTok has really sparked something in my creativity. JUST LET ME HAVE THIS OKAY!?
Running Touch - âEqualiser (feat. I.H)â
There is something about this song that I have such a hard time sitting still when it comes on. Iâm really curious if this is â¨just a me thingâ¨or if other people canât stop from shimmying either. I should also say that if this is your first taste of Running Touch that itâs somewhat of a deceptive entry point because while dude is certainly good at mood manipulation, heâs not exactly a household name for boisterous bouncy bangers like this one. Anyway I just glanced at manâs monthly listeners and yâall need to do better by him okay.
Genesis Owusu - âThe Other Black Dogâ
I caught wind of Genesis Owusu via Touch Sensitive because they worked together on music for a good bit of last year (which I imagine that only stopped because sweet little Mariella arrived to the party). While I came in on, âDonât Need Youâ and was hooked immediately to everything about Genesis, I really like the chaotic energy of âThe Other Black Dogâ. Itâs almost overwhelming, which I think was its aim from the get-go. Anyway, his debut LP, Smiling With No Teeth, is coming out on March 5th and I might choose to be impatient and see if I can get my ears on this one sooner than release date.
Two People- âDream Steppinââ
I just realized this is also a recommendation brought to you by Slum fam, lol. I donât think either of the guys have any involvement in the making of anything Two People related, but I do appreciate that them fellas know that Sharing Is Caring. ANYWAY yâall are welcome that Iâm pulling reccos from all corners of the internet/world. I very much enjoyed spending time with their latest LP Second Body and I plan on doing more of that this year, too.
j. pastel- âstrawberry lemonade - 3am versionâ
So at present j. pastel fits that lo-fi â¨aesthetic⨠kinda vibe. You know, the one where it wonât surprise you to know that Majestic Casual is following these guys on Instagram and for some reason youâre a little surprised that they havenât been tossed into a âlofi hip hop music - beats to study/relax toâ kind of playlist just yet. I hope that means theyâre on a different trajectory than the playlists that people mostly put on to ignore. This â3am versionâ of the previously released âstrawberry lemonadeâ to me indicates that they donât just want to be atmospheric. I get the same feeling in their latest, âHoly Warâ. Itâs almost as if theyâre coming back to Earth in a way. As if floating in that bit where the atmosphere and outer space was fun but itâs easier to articulate yourself when thereâs more oxygen available. Yes, being out in the middle of nowhere is making me sound like an even bigger weirdo. Hopefully this is as entertaining for you as it is for me.
SG Lewis - âOne More (feat. Nile Rodgers)â
I know SG Lewis needs to release things to maintain visibility so he can have a career post-pandem but why he gotta drop something that just makes me feel like we are gonna be in the middle of the dance floor any second now đŠ. Also so fucking cool that he got Nile Rodgers to work with him on this track. Since I canât say enough wonderful things about TikTok, you should follow that dude over there. The other day he shared the origin story of Diana Rossâ âIâm Coming Outâ and I legit âSTFU REALLY đ¤Żââd right into my phone (and in the comments lol).
Kristy Harper - âMy Body. My Future (feat. Samirah Raheem)â
Another TikTok find! If you found LP Giobbiâs âAmber Roseâ to be empowering or thought provoking, you will absolutely fucking love the way that Kristy Harper has memorialized Samirah Raheemâs âSlutwalk interviewâ in âMy Body. My Future.â Everything about Kristy Harper is pretty FEMME HOUSE af come to think of it. Hold up, I just realized that these bad bitches donât know each other. Think I need to fix that when I finish this postâŚ. will report back if anything cool happens from that. Also when youâre done obsessing over âMy Body. My Futureâ, you HAVE to listen to âThe System Is Fuckedâ, especially if youâve been up to your eyeballs in stonks lately.
Otzeki - âMax Wells-Demonâ
Iâve come to learn that the reason why I love Otzeki so much is because they make getting to know your shadows seem way less daunting of a task than we often think it is. Iâm really glad that theyâve started trickling out new tracks over the past 6 months. I didnât realize how much Iâve missed their presence until they were back. Not only are they back, but theyâve got a new record coming out on March 19th called Now Is A Long Time. And I know by other peopleâs standards I should be talking about âUnthunkâ because that came out yesterday, but I am genuinely just obsessed with how quickly âMax Wells-Demonâ was able to permeate every cell in my body. And ofc Iâm being dramatic about this, but you know when you canât shake the way a song immediately feels like an extension of yourself? Yeah. Also the music video for this is really cool.
Pat Lok - âPardon My Frenchâ
The Magician recently dropped a compilation called Magic Tape 001, which features tracks from a lot of really great people I already admire and some that I canât wait to get to know better after being exposed to them through this release. I really like this contribution from Twitter fam Pat Lok, who I feel the need to go on record to say that this pandemic would not have been the same if I hadnât been able to spend as much time as I wanted getting lost in his 2017 LP, Hold On Let Go. If you havenât tuned in to at least one of his Fone A Friend chats on Twitch mannnnn youâre missing out. Essentially lurking on two musicians talking about music and going through demo tracks that people have submitted and giving them feedbackâŚitâs just such a wonderful thing to see.