diSKOAverweekly: Week of February 10, 2021

Hello again. 🥰
Been a little while since I felt like updating this. Did y’all miss me? Fuck I’ve missed y’all. And doing this. I won’t go into detail about everything that’s happened since last we met. Also I can’t really say for sure that we’re back online full throttle go go go with updates on this site in addition to this playlist. That said, when the feeling comes to connect with some fellow digital crate diggers I’m not gonna talk myself out of it anymore, even if sometimes I make myself crazy with how much detail I want to cram into these updates, lol. Anyway the sun is shining, I’m still covid-free, and I love you all so much that I just had to share these.

Until next time! Whenever that is…

💖✨

1. Arlo Parks- ”Porta 400”

   If you have not pressed play on Collapsed In Sunbeams yet I hate to spoil the ending for you right off the bat like this, but also like, shame on you for not rushing immediately to support this little slice of heaven on earth. I have made jokes in the past about how I love it when bands just “dump glitter on their problems”. The Arlo Parks take on this vibe is the opening lyric (and honestly kind of its own self-review of the album), when she opens the track with, “making rainbows out of something painful”. I love her so very much. The record is absolutely breathtaking. We are so blessed to have been afforded this moment to learn from her. And possibly heal with her, too?

2. Anees - “Maybe”

   So I am part of the statistic of millennials who mostly lurk on TikTok, fascinated to see what The Algorithm™ has chosen to reflect back as its interpretation of my True Self. No one is surprised that eventually it started trickling in really talented baby bands and they are all SUCH LOVELY PEOPLE oh my god. DC rapper Anees is a shining example of that. My goodness I just want to put this kid in my hoodie pocket and keep him safe forever. He’s only 3 tracks into his formal foray into music, but has been experimenting with rapping on Instagram since 2019. I came in on “Maybe”, which follows “Brown Kid”, a track where he shares his perspective of being a Palestinian/Lebanese kid in a very white America, and debut track, “Neverland Fly”, which details how the rapper chooses to rise above any of his negative thoughts and stay up in the clouds. “Maybe” is such a lovely little ditty to carry with you wherever you go to remind you to keep dreaming and to do your best to not let the bullshit weigh you down. PS if you want proof of his vocal abilities in real time, kid is live on TikTok fairly frequently just rapping in his car, experimenting with new lyrics.

3. Sycco - “Dribble”

   God damn Slum fam are always such a good barometer of quality in terms of cool new things to check out. Enter: Sycco (pronounced “psycho”) and her breakout jam, “Dribble”. The track was produced by Edward Quinn (the quiet producer half of slum fam), as well as her latest, “Germs”, which has also started to gain some traction. I’m not sure who was working with her on her earlier tracks, but I really like the way her sound has evolved with these two tracks. She definitely sounds more “at home” than she does with her earlier tunes. I hope she has plans for 2021 because I could see this casual crush I have on her voice intensifying with just the slightest of nudges.

4. Wake The Wild - “Rewind”

   Fun true story, this track initially dropped in Summer 2020 but then vanished. For 6 months in the playlist where I had excitedly tossed it to play it back on the regular it was faded pixels of its former self. I checked back on it more often than I’d like to admit. Then like its very own Christmas miracle it came back in early December. I think it’s the best track they’ve released to date. You should also check out the EP they dropped last year, too. It’s great, just not as trance-inducing as I’ve come to find “Rewind” to be.

5. Hablot Brown - “GO (Dam Swindle Remix)”

   This remix is EXCELLENT. Dam Swindle really took one look at Hablot Brown’s “GO” and said, “You know…you can dance with your darkness if you want.” The rework is really balanced in the way it elevates the song’s essence without distracting you too much with its bouncy popped out production. I wasn’t familiar with either artist until The Algorithm™ plunked this in my lap, but I’m really excited to spend more time digging through their respective catalogs because everything else I’ve sampled so far has been great.

6. JESSIA - “I’m Not Pretty”

   So remember that time deadmau5 was livestreaming himself working on an idea for a track and this dude Chris James randomly DMs him a vocal that he thought could be cool with what Joel was working on and that turned into “The Veldt”? So this is the like TikTok indie pop version of that story essentially. On January 1st, JESSIA posted a TikTok of herself singing the catchy ass chorus in her car. The sound got picked up really quickly. Like really quickly. So much so that The Algorithm™ did its magic and it landed on producer Elijah Woods’ For You Page feed and it was subsequently transformed into the rough sketch of the bop you hear today by the 3rd. The song was formally released *checks notes* 5 days later and is already sitting at 17 million plays on Spotify. It’s now starting to get a little radio play, too! What I really love about this track is that it speaks to the authenticity and vulnerability that people love about music. There’s no flexing or pretending like everything is fine. Also there’s just something really magical about how this is essentially a community-created track. Like *The People* basically decided that this idea was worthy of quality collaboration and said “do your thang, algorithm! make it happen!” AND IT DID. So there is your How To Sound Interesting At Parties (When Covid Is Over) With Kibbe for the week.

7. Jordana - “Fuck You”

   As a connoisseur of “Fuck You” songs I gotta say that this one can easily throw down among the likes of Lily Allen and Cee-Lo Green’s legendary hits imo. While those songs have these grandiose productions to really launch their lyrics into the stratosphere, Jordana’s more understated approach is way more effective in dismissing whatever dumb fuck is deserving of this energy. The “Fuck You”s of the past sometimes come off as trying to cover up a lot of hurt by making a big scene of how much one can go fuck themselves. With this newcomer, it’s as easygoing and upbeat like a Sheryl Crow “All I Wanna Do Is Have Some Fun” but then proceeds to casually acknowledge and shrug off someone’s bullshit. It’s really such a cool choice of execution given how different the rest of Something To Say To You sounds. I like that every time this comes on I just kinda smirk and I’m like, “yeah, fuck that dude”.

8. Joey Purp - “Elastic”

   Another fun track that them teens on TikTok decided wasn’t done with it yet even though QUARTERTHING is almost 3 years old now. I think one of the things I like about the ecosystem of TikTok so much is how songs like this are passed around and you find a really interesting subculture of sorts that materializes around a particular sound. Yes of course I know that this is how music typically works, but when I skim the TikToks around any particular sound it almost seems to me that where we used to dress a specific way to essentially reflect our music tastes, people on TikTok basically “wear songs” to find each other. IDK - bare with me, as you can see TikTok has really sparked something in my creativity. JUST LET ME HAVE THIS OKAY!?

9. Running Touch - “Equaliser (feat. I.H)”

   There is something about this song that I have such a hard time sitting still when it comes on. I’m really curious if this is ✨just a me thing✨or if other people can’t stop from shimmying either. I should also say that if this is your first taste of Running Touch that it’s somewhat of a deceptive entry point because while dude is certainly good at mood manipulation, he’s not exactly a household name for boisterous bouncy bangers like this one. Anyway I just glanced at man’s monthly listeners and y’all need to do better by him okay.

10. Genesis Owusu - “The Other Black Dog”

    I caught wind of Genesis Owusu via Touch Sensitive because they worked together on music for a good bit of last year (which I imagine that only stopped because sweet little Mariella arrived to the party). While I came in on, “Don’t Need You” and was hooked immediately to everything about Genesis, I really like the chaotic energy of “The Other Black Dog”. It’s almost overwhelming, which I think was its aim from the get-go. Anyway, his debut LP, Smiling With No Teeth, is coming out on March 5th and I might choose to be impatient and see if I can get my ears on this one sooner than release date.

11. Two People- “Dream Steppin’”

    I just realized this is also a recommendation brought to you by Slum fam, lol. I don’t think either of the guys have any involvement in the making of anything Two People related, but I do appreciate that them fellas know that Sharing Is Caring. ANYWAY y’all are welcome that I’m pulling reccos from all corners of the internet/world. I very much enjoyed spending time with their latest LP Second Body and I plan on doing more of that this year, too.

12. j. pastel- “strawberry lemonade - 3am version”

    So at present j. pastel fits that lo-fi ✨aesthetic✨ kinda vibe. You know, the one where it won’t surprise you to know that Majestic Casual is following these guys on Instagram and for some reason you’re a little surprised that they haven’t been tossed into a ‘lofi hip hop music - beats to study/relax to’ kind of playlist just yet. I hope that means they’re on a different trajectory than the playlists that people mostly put on to ignore. This “3am version” of the previously released “strawberry lemonade” to me indicates that they don’t just want to be atmospheric. I get the same feeling in their latest, “Holy War”. It’s almost as if they’re coming back to Earth in a way. As if floating in that bit where the atmosphere and outer space was fun but it’s easier to articulate yourself when there’s more oxygen available. Yes, being out in the middle of nowhere is making me sound like an even bigger weirdo. Hopefully this is as entertaining for you as it is for me.

13. SG Lewis - “One More (feat. Nile Rodgers)”

    I know SG Lewis needs to release things to maintain visibility so he can have a career post-pandem but why he gotta drop something that just makes me feel like we are gonna be in the middle of the dance floor any second now 😩. Also so fucking cool that he got Nile Rodgers to work with him on this track. Since I can’t say enough wonderful things about TikTok, you should follow that dude over there. The other day he shared the origin story of Diana Ross’ “I’m Coming Out” and I legit “STFU REALLY 🤯”’d right into my phone (and in the comments lol).

14. Kristy Harper - “My Body. My Future (feat. Samirah Raheem)”

    Another TikTok find! If you found LP Giobbi’s “Amber Rose” to be empowering or thought provoking, you will absolutely fucking love the way that Kristy Harper has memorialized Samirah Raheem’s “Slutwalk interview” in “My Body. My Future.” Everything about Kristy Harper is pretty FEMME HOUSE af come to think of it. Hold up, I just realized that these bad bitches don’t know each other. Think I need to fix that when I finish this post…. will report back if anything cool happens from that. Also when you’re done obsessing over “My Body. My Future”, you HAVE to listen to “The System Is Fucked”, especially if you’ve been up to your eyeballs in stonks lately.

15. Otzeki - “Max Wells-Demon”

    I’ve come to learn that the reason why I love Otzeki so much is because they make getting to know your shadows seem way less daunting of a task than we often think it is. I’m really glad that they’ve started trickling out new tracks over the past 6 months. I didn’t realize how much I’ve missed their presence until they were back. Not only are they back, but they’ve got a new record coming out on March 19th called Now Is A Long Time. And I know by other people’s standards I should be talking about “Unthunk” because that came out yesterday, but I am genuinely just obsessed with how quickly “Max Wells-Demon” was able to permeate every cell in my body. And ofc I’m being dramatic about this, but you know when you can’t shake the way a song immediately feels like an extension of yourself? Yeah. Also the music video for this is really cool.

16. Pat Lok - “Pardon My French”

    The Magician recently dropped a compilation called Magic Tape 001, which features tracks from a lot of really great people I already admire and some that I can’t wait to get to know better after being exposed to them through this release. I really like this contribution from Twitter fam Pat Lok, who I feel the need to go on record to say that this pandemic would not have been the same if I hadn’t been able to spend as much time as I wanted getting lost in his 2017 LP, Hold On Let Go. If you haven’t tuned in to at least one of his Fone A Friend chats on Twitch mannnnn you’re missing out. Essentially lurking on two musicians talking about music and going through demo tracks that people have submitted and giving them feedback…it’s just such a wonderful thing to see.

[SONG OF THE DAY] CHILI PALMER - "S.I.T"

Something that I have been deeply missing since everything got turned upside down is singing along to music while I walk around the neighborhood if no one else is around. It’s something that I got in the habit of doing after I transitioned to city living and stopped owning a car aka the best place to sing your brains out to shit. In addition to everything feeling really heavy outside, singing with a mask on feels kinda weird.

Enter: CHILI PALMER: a new project from one of my favorite casually brilliant minds, David Gledhill (of SOULS notoriety), in collaboration with a man I’m still not convinced isn’t a literal angel sent to earth, Albert Gold. On Friday the London lads dropped, “S.I.T.”, the debut offering from their forthcoming debut self-titled EP which is slated for a November 13th release courtesy of Fierce Panda Records.

I had bumped it a few times since Friday, but something about strutting through Brooklyn yesterday and this hitting my ears though. I had this on repeat basically the whole walk home.

I will say this: belting the chorus through my mask evaporated basically every molecule of stress out of my body. I’m not exaggerating (or maybe I kind of am) when I say Albert’s voice might make your heart float out of your chest so BE CAREFUL. It’s the kind of vocal performance where I’m so convinced this dude was smiling the whole time he was singing this that I’d eat my headphones if you told me otherwise. David absolutely set him up to shine, too. This beat is just naaaassssstttyyyy in all of the right places. That bassline! Holy actual fuck.

It is impossible not to be feelin’ yourself to this, trust me. I desperately needed this, so I assume you do, too.

I want to make like a billion metaphors about how fucking well these two played off each other on this collaboration and THIS IS ONLY THE FIRST TASTE OF THE EP! Best believe your girl is about to do an electric slide into the DMs to hear the rest of this.

In the meantime, you can have a glance at the tracklisting below and smash that pre-order button because IT’S A PANDEMIC AND NO ONE IS TOURING AND THESE DUDES DESERVE ALL OF YOUR DOLLARS IF THEY MAKE YOU FEEL AS GOOD AS I DO RIGHT NOW TELLING YOU ABOUT THIS.

CHILI PALMER

Release Date: November 13, 2020

1.Intro
2. S.I.T.
3. L.U.C.
4. J.S.N.T.L.
5. A.O.M.L.
6. Unrequited

Pre-Order

[SONG OF THE DAY] Bob Moses - "Desire"

photo credit: Lucas.MK

Everyone’s favorite makeout music makers, Bob Moses, have returned with a brand new single and news of a new album that will be out next month! The album is called Desire and it’s a concept album surrounding the positives and pitfalls of humanity’s driving wants in the digital age we’re living in. “Desire can become quite destructive if you're not self-aware. With this record, we’re trying to be self-aware by looking at our own desires and reckoning with them,” explains keyboardist Jimmy Vallance. “Stories about desire are timeless: Icarus flying too close to the sun and ending up falling to his death…that idea inspired the falling man on the album cover. That symbolized to us how desire can lead to a downfall.”

The duo has chosen to share the title track of the album as their initial offering, which is a collaboration with Grammy-nominated ZHU and it is…well let’s just say it’s aptly named(😍). It’s definitely a slight pivot to their signature sound, but I appreciate that ZHU definitely urged a different kind of energy out of them. They also unveiled an interactive video for the track, further demonstrating the pleasure/pain sides of desire. I was going to share it below but I can’t shut the autoplay off so you can head here to check it out. The below standard version is equally as demonstrative of the concept they’re going for.

The idea for the followup to their sophomore album, Battle Lines, came while the duo were out on their last European club tour as their original two-piece setup. “It was great being back in that environment and feeling the communal energy,” recounts Vallance. Singer Tom Howie adds,“We wanted to make something that was continuously mixed, something that would take the listener on a journey and replicate that feeling we try to create when we’re playing our sets in a club. We’ve appreciated the worlds created in concept records from bands like Pink Floyd and Nine Inch Nails. We thought it would be interesting to combine that kind of songwriting with the flow of modern electronic music.”  

To celebrate the launch of Desire, Bob Moses will play a B2B livestream set with Blacklizt (a project by ZHU) as part of Insomniac’s Factory 93 “Secret Project Livestream”. That’s happening on Friday, July 17 at 4pm PT / 7pm ET HERE.

Desire is out on August 28th, 2020, courtesy of the fine folks at Domino.

Desire

Release Date: August 28, 2020

1. Love We Found

2. The Blame

3. Desire (Bob Moses & ZHU)

4. Hold Me Up

5. Outlier

6. Ordinary Day

Pre-Order

diSKOAver weekly: Week of July 8, 2020

OH SHIT LOOK WHO’S LOOKIN’ SNAZZZAAYYYYYYY. Yeah last week during my week of media deprivation I decided to pretty up some things around this web log. You like? 🥰

Also I found
so
much
good
goddamn
music. 🙏🏻

We’re back to 16 tracks a week. That whole doubling up thing was really adorably ambitious of me, especially now that I want to post about all of the things again I don’t want to dread doing this playlist because tbh it’s one of my favorite things to do. It is a labor of love, emphasis on the labor, but you know, whatever.

With that, here are the 16 ways I love you the most this week:

1. Woodes - ”How Long I’d Wait”

   Tumbled into Woodes while checking out last year’s Golden Vessel record (more on him in a few). There’s something so captivating about her that I haven’t been able to put my finger on just yet. She’s practically mystical. Is she secretly a nymph? I need answers. Also she’s got a new song dropping on Friday called “Euphoria” and of course I will make sure you hear it when I do.

2. Arlo Parks - “Eugene”

   When I say that Arlo Parks had me SOBBING for days after I found her that is not even remotely an exaggeration. In addition her penning some of the most deeply personal experiences in a way that will knock the wind out of you, there is something so tenderly piercing about her voice that whatever her words don’t do explicitly her voice is like, “hold up I got this imma make you feel EVERYTHING ok ok”. She recently did a really striking cover of Radiohead’s “Creep” that’s worth checking out, but you definitely have to hear “Black Dog” so you can have a good cry, too.

3. Nelson Kempf - “Hourglass”

   So this is one of 3 tracks that are currently out right now from Nelson Kempf’s upcoming debut album Family Dollar (out on July 24). Apparently Kempf used to be more of a folky kinda musician, but after a decade of hardships he went more experimental. The record touches of the overlooked emotional experience that surrounds poverty. You could say it’s kind of a dark record, but I liken it to how sometimes light finds a way to pierce through a really dark room. Yeah, I guess it’s like that.

4. Tourist x The Range - “Last”

   This is a cool little collaboration that’s a reflection on grief. Apparently as they were writing this they each heard the lyric differently. Tourist could hear, “you know you’re lost”, while The Range was hearing, “you know you’re last”. As Tourist notes, “The duality of that truth resonated with me, as both meanings are applicable when someone leaves us. It has struck a more personal chord recently, as recently one of my dearest friends passed away very suddenly.”

5. Georgia - “Started Out”

   Last year I dropped another track from Georgia in this very playlist series and at some point I somehow reminded myself to check back to see if there was an album , finally got around to listening to Seeking Thrills, and y’all…. what a fucking cool record. I feel like this is a real launching point for her, so you should probably get in on this now.

6. Teenage Bad Girl - “Keep Up With You”

   I’m sorry to be doing this to you, but I am absolutely giving you a band that will probably never make another thing again. I just fucking love good French electro way too much to not pass this along. Teenage Bad Girl existed between 2007 and 2011. I’ve spent the most time with their last record, Back Wash. This track (much like the entire album) has split me between elated and enraged because it slaps so fucking hard but like…this is it. Anyway it’s fucking awesome and you deserve to have this in your arsenal, too.

7. Cora Novoa - “over & done”

   While trying to figure out every last detail about Teenage Bad Girl I crossed paths with their labelmate Cora Novoa (both are on Citizen Records). This Barcelona based bad bitch kinda does it all tbh. In addition to obviously being a music composer and a DJ, she also is the founder and creative director of her own label called SEEKING THE VELVET, which is for electronic and experimental pop music. She’s also an Abelton Official Trainer, music curator, etc. etc. She does a lot. She’s creative as fuuuuck. And she makes really fucking cool techno.

8. Sam I - “wishin’ (feat. bipolar sunshine)”

   Here is me nagging you again to go listen to Random Shit From The Internet Era. This record has something for everyone in it. I would not lie to you. Also like, going to take a moment to throw Sam I some more love because like, all the features on this record are great. Hadn’t heard bipolar sunshine before this. Really loving him.

9. The Kickdrums - “Sunshine Guy”

   I’m always a happy kid when Fitts surprises us with new music. Also dude dropping a track with a lyric “all these nights are blurring together” in the middle of quarantine is so goddamn spot on.

10. Marlana - “The Right”

    So I’m just getting caught up to Marlana but don’t stress that means there’s more than enough time for you, too! She’s got an EP dropping on July 24th called At Least I Tried (which is quite excellent I must say). That said, I would be very fucking rude to you if I did not make sure you heard “The Right” before I get you squared away on everything else going on with this EP.

11. Nick Leng - “LEMONS”

    Thanks to The Algorithm™ last week I came to know Nick Leng, who put out a record called LEMONS a couple of months ago. Things I have learned since thoroughly enjoying the South African born now LA-based singer-songwriter: the album is the result of an emotional breakup, the loss of a friend, and his house burning down - basically all at the same time. 😑 LEMONS. You get it now? Not for nothing though, the record put such a pep in my step that it made me teach myself how to make some bomb ass lemonade within a few hours of digesting the record. There’s a metaphor there, somewhere. I’ll let you find out for yourself what I’m saying.

12. Golden Vessel - “Hesitate (feat. Emerson Leif)”

    I am going to do my very best to not turn this web log into a Golden Vessel fan site, but goddamn it was a really fucking good day when I put on last year’s SLOWSHINE last week. Funny enough, this is not on that record. I just like taking advantage of a 2 for 1 special in showing you new stuff. That said, Emerson Leif’s vocal + the magical vibeyness that is Golden Vessel’s production = yes please.

13. otta - “Near Enough A Woman”

    otta has an EP dropping on Friday! (7/10). This track is not on it! Why did I do that? I don’t know. I guess I wanted to start with the basics with her so you could build to bumping Songbook? And this is like, definitely the basics compared to what you’ll hear on Songbook, which swings in a much more experimental direction. She’s expanding her musical palette and honestly with a voice like hers, she can get away with it.

14. Diplo - “do si do (feat. Blanco Brown)”

    Man I don’t know. Sometimes you just gotta go with the hype. This song is really fun even though my thoughts on Diplo are a mixed bag. I’m trying to occasionally participate in mainstream-ish moments. This was what my ears agreed to this week? ¯\_(ツ)_/¯

15. Tall Tall Trees - “Deep Feels”

    I listened to A Wave Of Golden Things when it came out but hadn’t put it on in a minute. Lotta records are hitting different in quarantine and this one is no exception. I guess the minimal distractions made me notice the little details of this record that I likely missed on the pre-pandemic passthroughs on this album. There’s too many to share in this baby blurb, just trust me. Anyway “Deep Feels” specifically is just a quintessential summer feel good jam IMO.

16. Stilljill - “Some People”

    LA indie psych-pop trio Stilljill recently dropped their debut EP, Waterslides, which celebrates the fluidity of femininity. As they told Ladygunn last week, “Womxn have historically been analogous to water – Sirens, Venus being born from seafoam, water and women as the birth and source of life. Womxn are often conditioned to be fluid or amenable when others won’t in ways that do not always serve us; i.e. compromising needs and desires, shifting ourselves or voices to suit spaces and male egos. Fluidity also means resilience, strength, and adaptability and we find power in that.” Take a second glance at the single artwork for their tracks, specifically the “river”. They are really thoughtful in every last detail of what they’re doing and I really appreciate that.

PS now would be a good time to remind you that you can sign up to get pinged every time I update this playlist, which means a post like this with my liner notes will be sitting in your inbox the literal second I smash that PUBLISH button and drag over the new tracks into the playlist. I am just saying. 😊

[WATCH] Miss Eaves - "Belly Bounce"

photo courtesy of Miss Eaves herself :)

While we’re on the subject of dance filled music videos today…

Y’all, when I say that I love Miss Eaves, I’m talking like, more than just typical artist adoration where I wanna put her in my hoodie pocket and keep her safe. I think at this point I would crawl over hot coals and/or broken glass for a mile if it meant she’d be safe and happy indefinitely. There’s so much to love about this truly one of a kind DIY artist. Her willingness to be vulnerable and commitment to authenticity regardless of whatever life throws her way is something we probably all should be taking hella notes on. Also I appreciate that we both really wanna be good at speaking French but we’re convinced we totally suck at it.

Further cementing her place on my Most Precious People list, last week she dropped a video for a song, “Belly Bounce”, which comes from her upcoming EP How It Is, which drops on July 10th, 2020. The video, which was a collaborative effort that includes videos of fans of all shapes and sizes dancing gleefully along to the track, is her way of responding to years of invasive questions about her body.

“Ever Since I was 13 people have asked me if I am pregnant. This caused me to be extremely ashamed of my body/belly and try everything in my power to eliminate it (HELLO AB ROLLER!).  I want to live in a world where everyone feels free—even joyous—expressing themselves genuinely, being truly comfortable in their bodies and minds just exactly as they are today.”

DO YOU SEE WHAT I’M SAYING ABOUT HOW WONDERFUL SHE IS!? 😭 As someone raised in the era of the Calvin Klein models that were referred to as “heroin chic” in their hay day, the idea that there are teens out in the world today that have the opportunity to be exposed to this level of fierce body positivity just warms my heart so much. I feel like we all need to become door to door EAVESangelists.

“Excuse me [sir/ma’am], do you have a moment to hear the good word of Miss Eaves?”

Like seriously.

Especially right now where everyone keeps bringing up that they’re putting on the “dreaded COVID 19” aka 19 pounds of extra lovin’ to carry around, we need to be kinder to ourselves and this is the bop for belly lovin’.

If you need more body positivity bangers so you can further spread the gospel of Miss Eaves and are new to the fandom, be sure to give “Thunder Thighs” a listen from her 2017 album Feminasty while you’re at it. If I’m being honest that song definitely kicked the door wide open for me to the journey to self-acceptance for my wounderous thunderous thighs.

Now go give that woman your money on Bandcamp RIGHT NOW.

How It Is

Release Date: July 10th, 2020

1. Belly Bounce
2. Stacks
3. 3 Jobs
4. Cactus Killer

Pre-Order

[LISTEN] Snowing Throw - "The Folly Of Pangloss"

photo credit: Colin Hawkins

Earlier today Throwing Snow aka Ross Tones has unveiled a new alias, Snowing Throw, for a one off EP called The Follow of Pangloss, which drops on July 15th courtesy of Houndstooth.

Don’t worry, if you’ve re-read the above a few times to make sure you read me right, trust me when I say I have at minimum triple checked to make sure I accurately laid that out for y’all. 😂

It might seem confusing at first, but if you’re familiar with Tones’ catalog at all and what he’s been up to specifically in the last year, it would make sense that a pair of tracks that are, as he put it, “unashamedly built for the summer”, are probably best to be given their own space to roam freely. As he explains, “'I’ve embraced their tongue in cheek nature and I'm releasing them as Snowing Throw." The resulting title track from the EP is pretty spot on from his description. It’s definitely a vibrant and super upbeat summertime vibe. He goes on to explain, "Voltaire’s Pangloss was blindly optimistic in the face of reality. This track is his folly. It is only the ‘best of all possible worlds’ if we actively endeavor to make it so."

ICYMI - last year Throwing Snow released The Death of Pragmatism the day after Brexit, using the tracks as a way to channel his aggression as tension continued to rise around the Brexit debate. Since then he’s also released subsequent remixes from the EP fro the likes of TSHA, Mako, and AceMo.

The Folly of Pangloss

Release Date: July 15, 2020

1. The Folly Of Pangloss
2. Lose Again

Stream/Buy

[SONG OF THE DAY] Big Black Delta - "Lord Only Knows"

photo credit: Josh Giroux

Omg cute internet people I have the BEST NEWS TO SHARE!

My most favoritest man crush Monday, Jonathan Bates, better known to y’all as Big Black Delta has announced that we’re getting a fourth BBD full-length AND he further blessed us with a new single, “Lord Only Knows”. This dramatic little ditty that he’s just casually launched into the universe is such an exciting evolution for Bates and his signature sound that comes through in all the right moments on this track. It’s loud. It’s lush. It’s certainly not what I was expecting what would follow lead single from back in March, “Summoner”, which makes me love it all the more. Anyone who listens to “Lord Only Knows” for a whopping 30 seconds would not be the least bit surprised that Bates has recently rekindled his romance with heavy metal. The sharp left-turn to that Liberace moment, though. *chef’s kiss* That’s when things go next-level. The track isn’t long enough for me to toss it in a rock opera-esque kinda category, but if ever there were to be an extended edit of this song, I can only imagine the places it would go.

As previously mentioned, “Lord Only Knows” comes from Big Black Delta’s [now HIGHLY FUCKING ANTICIPATED] forthcoming album, LP4, which is available for pre-order now and drops on July 10th. From first glance at the tracklisting, hopefully I don’t have to wait very long to know what a song called, “Air Conditioned Dork” sounds like and I am already bracing myself for what something titled “Ballad of the Co-Dependent” is probably going to do to me. Regardless, the t-shirt + LP combo pre-order is calling my name, possibly that slick mask, too?

While we wait, please enjoy the third installment from director Adam Osgood, who previously provided the BBD universe with videos for, “Huggin & Kissin” and “Bitten By The Apple”. At this rate I would totally watch a movie exploring this father-daughter relationship that continues throughout all three videos, if only to clarify the timeline going on here. Does god-dad get to go back in time once he becomes god-dad so he can accidentally kill the dinosaurs? Did god-dad always know he was a deity? I have so many questions, lmao.

4

Release Date: July 10, 2020

01. Lord Only Knows
02. Vessel
03. Politics Of Living
04. Summoner
05. Ballad Of The Co-Dependent
06. Sunday
07. Heaven Here I Come
08. Canary
09. White Lies
10. Killing Me
11. Air Conditioned Dork
12. Yes

Pre-Order

[SONG OF THE DAY] Nation Of Language - "Rush & Fever"

image courtesy of Nation of Language

Brooklyn-based darkwave trio Nation of Language have FINALLY announced details of their debut full-length, Introduction, Presence, which is slated for an April 3rd, 2020 release. The band has also offered the first taste from the record, “Rush & Fever”, which is sure to send you to the darkest corner of the dance floor on goth night. Chock full of shimmering synths with a looming bassline in tow, they achieve such a perfect blend of upbeat energy with a healthy dose of sardonic melancholy that it will have you saying, “Oh my goth where has this band been all my life?!?!?!”

This month the band will be hitting the road to support Adam Green on tour just before their album release show on April 3rd at The Sultan Room in Brooklyn.

Introduction, Presence

Release date: April 3, 2020

1. Tournament

2. Rush & Fever

3. September Again

4. On Division St

5. Indignities

6. Automobile

7. Friend Machine

8. Sacred Tongue

9. The Motorist

10. The Wall and I

pre-order

Nation of Language on tour supporting Adam Green

Sun, Mar 8 - Boston MA - Great Scott w/ Heart Bones
Mon, Mar 9 - Montreal QC - Bar Le Ritz
Tue, Mar 10 - Toronto ON - The Horseshoe Tavern
Thu, Mar 12 - Cleveland OH - Mahall's
Fri, Mar 13 - Chicago IL - Schubas Tavern
Sat, Mar 14 - St Paul MN - Turf Club
Sun, Mar 15 - Moline IL - Rust Belt
Mon, Mar 16 - Detroit MI - Deluxx Fluxx
Wed, Mar 25 - Los Angeles CA - Bootleg Theater
Thu, Mar 26 - San Diego CA - Soda Bar
Fri, Mar 27 - San Francisco CA - The Chapel
Sat, Mar 28 - Portland OR - Star Theater
Sun, Mar 29 - Seattle WA - The Sunset