diSKOAverweekly: Week of February 10, 2021

Hello again. 🥰
Been a little while since I felt like updating this. Did y’all miss me? Fuck I’ve missed y’all. And doing this. I won’t go into detail about everything that’s happened since last we met. Also I can’t really say for sure that we’re back online full throttle go go go with updates on this site in addition to this playlist. That said, when the feeling comes to connect with some fellow digital crate diggers I’m not gonna talk myself out of it anymore, even if sometimes I make myself crazy with how much detail I want to cram into these updates, lol. Anyway the sun is shining, I’m still covid-free, and I love you all so much that I just had to share these.

Until next time! Whenever that is…

💖✨

1. Arlo Parks- ”Porta 400”

   If you have not pressed play on Collapsed In Sunbeams yet I hate to spoil the ending for you right off the bat like this, but also like, shame on you for not rushing immediately to support this little slice of heaven on earth. I have made jokes in the past about how I love it when bands just “dump glitter on their problems”. The Arlo Parks take on this vibe is the opening lyric (and honestly kind of its own self-review of the album), when she opens the track with, “making rainbows out of something painful”. I love her so very much. The record is absolutely breathtaking. We are so blessed to have been afforded this moment to learn from her. And possibly heal with her, too?

2. Anees - “Maybe”

   So I am part of the statistic of millennials who mostly lurk on TikTok, fascinated to see what The Algorithm™ has chosen to reflect back as its interpretation of my True Self. No one is surprised that eventually it started trickling in really talented baby bands and they are all SUCH LOVELY PEOPLE oh my god. DC rapper Anees is a shining example of that. My goodness I just want to put this kid in my hoodie pocket and keep him safe forever. He’s only 3 tracks into his formal foray into music, but has been experimenting with rapping on Instagram since 2019. I came in on “Maybe”, which follows “Brown Kid”, a track where he shares his perspective of being a Palestinian/Lebanese kid in a very white America, and debut track, “Neverland Fly”, which details how the rapper chooses to rise above any of his negative thoughts and stay up in the clouds. “Maybe” is such a lovely little ditty to carry with you wherever you go to remind you to keep dreaming and to do your best to not let the bullshit weigh you down. PS if you want proof of his vocal abilities in real time, kid is live on TikTok fairly frequently just rapping in his car, experimenting with new lyrics.

3. Sycco - “Dribble”

   God damn Slum fam are always such a good barometer of quality in terms of cool new things to check out. Enter: Sycco (pronounced “psycho”) and her breakout jam, “Dribble”. The track was produced by Edward Quinn (the quiet producer half of slum fam), as well as her latest, “Germs”, which has also started to gain some traction. I’m not sure who was working with her on her earlier tracks, but I really like the way her sound has evolved with these two tracks. She definitely sounds more “at home” than she does with her earlier tunes. I hope she has plans for 2021 because I could see this casual crush I have on her voice intensifying with just the slightest of nudges.

4. Wake The Wild - “Rewind”

   Fun true story, this track initially dropped in Summer 2020 but then vanished. For 6 months in the playlist where I had excitedly tossed it to play it back on the regular it was faded pixels of its former self. I checked back on it more often than I’d like to admit. Then like its very own Christmas miracle it came back in early December. I think it’s the best track they’ve released to date. You should also check out the EP they dropped last year, too. It’s great, just not as trance-inducing as I’ve come to find “Rewind” to be.

5. Hablot Brown - “GO (Dam Swindle Remix)”

   This remix is EXCELLENT. Dam Swindle really took one look at Hablot Brown’s “GO” and said, “You know…you can dance with your darkness if you want.” The rework is really balanced in the way it elevates the song’s essence without distracting you too much with its bouncy popped out production. I wasn’t familiar with either artist until The Algorithm™ plunked this in my lap, but I’m really excited to spend more time digging through their respective catalogs because everything else I’ve sampled so far has been great.

6. JESSIA - “I’m Not Pretty”

   So remember that time deadmau5 was livestreaming himself working on an idea for a track and this dude Chris James randomly DMs him a vocal that he thought could be cool with what Joel was working on and that turned into “The Veldt”? So this is the like TikTok indie pop version of that story essentially. On January 1st, JESSIA posted a TikTok of herself singing the catchy ass chorus in her car. The sound got picked up really quickly. Like really quickly. So much so that The Algorithm™ did its magic and it landed on producer Elijah Woods’ For You Page feed and it was subsequently transformed into the rough sketch of the bop you hear today by the 3rd. The song was formally released *checks notes* 5 days later and is already sitting at 17 million plays on Spotify. It’s now starting to get a little radio play, too! What I really love about this track is that it speaks to the authenticity and vulnerability that people love about music. There’s no flexing or pretending like everything is fine. Also there’s just something really magical about how this is essentially a community-created track. Like *The People* basically decided that this idea was worthy of quality collaboration and said “do your thang, algorithm! make it happen!” AND IT DID. So there is your How To Sound Interesting At Parties (When Covid Is Over) With Kibbe for the week.

7. Jordana - “Fuck You”

   As a connoisseur of “Fuck You” songs I gotta say that this one can easily throw down among the likes of Lily Allen and Cee-Lo Green’s legendary hits imo. While those songs have these grandiose productions to really launch their lyrics into the stratosphere, Jordana’s more understated approach is way more effective in dismissing whatever dumb fuck is deserving of this energy. The “Fuck You”s of the past sometimes come off as trying to cover up a lot of hurt by making a big scene of how much one can go fuck themselves. With this newcomer, it’s as easygoing and upbeat like a Sheryl Crow “All I Wanna Do Is Have Some Fun” but then proceeds to casually acknowledge and shrug off someone’s bullshit. It’s really such a cool choice of execution given how different the rest of Something To Say To You sounds. I like that every time this comes on I just kinda smirk and I’m like, “yeah, fuck that dude”.

8. Joey Purp - “Elastic”

   Another fun track that them teens on TikTok decided wasn’t done with it yet even though QUARTERTHING is almost 3 years old now. I think one of the things I like about the ecosystem of TikTok so much is how songs like this are passed around and you find a really interesting subculture of sorts that materializes around a particular sound. Yes of course I know that this is how music typically works, but when I skim the TikToks around any particular sound it almost seems to me that where we used to dress a specific way to essentially reflect our music tastes, people on TikTok basically “wear songs” to find each other. IDK - bare with me, as you can see TikTok has really sparked something in my creativity. JUST LET ME HAVE THIS OKAY!?

9. Running Touch - “Equaliser (feat. I.H)”

   There is something about this song that I have such a hard time sitting still when it comes on. I’m really curious if this is ✨just a me thing✨or if other people can’t stop from shimmying either. I should also say that if this is your first taste of Running Touch that it’s somewhat of a deceptive entry point because while dude is certainly good at mood manipulation, he’s not exactly a household name for boisterous bouncy bangers like this one. Anyway I just glanced at man’s monthly listeners and y’all need to do better by him okay.

10. Genesis Owusu - “The Other Black Dog”

    I caught wind of Genesis Owusu via Touch Sensitive because they worked together on music for a good bit of last year (which I imagine that only stopped because sweet little Mariella arrived to the party). While I came in on, “Don’t Need You” and was hooked immediately to everything about Genesis, I really like the chaotic energy of “The Other Black Dog”. It’s almost overwhelming, which I think was its aim from the get-go. Anyway, his debut LP, Smiling With No Teeth, is coming out on March 5th and I might choose to be impatient and see if I can get my ears on this one sooner than release date.

11. Two People- “Dream Steppin’”

    I just realized this is also a recommendation brought to you by Slum fam, lol. I don’t think either of the guys have any involvement in the making of anything Two People related, but I do appreciate that them fellas know that Sharing Is Caring. ANYWAY y’all are welcome that I’m pulling reccos from all corners of the internet/world. I very much enjoyed spending time with their latest LP Second Body and I plan on doing more of that this year, too.

12. j. pastel- “strawberry lemonade - 3am version”

    So at present j. pastel fits that lo-fi ✨aesthetic✨ kinda vibe. You know, the one where it won’t surprise you to know that Majestic Casual is following these guys on Instagram and for some reason you’re a little surprised that they haven’t been tossed into a ‘lofi hip hop music - beats to study/relax to’ kind of playlist just yet. I hope that means they’re on a different trajectory than the playlists that people mostly put on to ignore. This “3am version” of the previously released “strawberry lemonade” to me indicates that they don’t just want to be atmospheric. I get the same feeling in their latest, “Holy War”. It’s almost as if they’re coming back to Earth in a way. As if floating in that bit where the atmosphere and outer space was fun but it’s easier to articulate yourself when there’s more oxygen available. Yes, being out in the middle of nowhere is making me sound like an even bigger weirdo. Hopefully this is as entertaining for you as it is for me.

13. SG Lewis - “One More (feat. Nile Rodgers)”

    I know SG Lewis needs to release things to maintain visibility so he can have a career post-pandem but why he gotta drop something that just makes me feel like we are gonna be in the middle of the dance floor any second now 😩. Also so fucking cool that he got Nile Rodgers to work with him on this track. Since I can’t say enough wonderful things about TikTok, you should follow that dude over there. The other day he shared the origin story of Diana Ross’ “I’m Coming Out” and I legit “STFU REALLY 🤯”’d right into my phone (and in the comments lol).

14. Kristy Harper - “My Body. My Future (feat. Samirah Raheem)”

    Another TikTok find! If you found LP Giobbi’s “Amber Rose” to be empowering or thought provoking, you will absolutely fucking love the way that Kristy Harper has memorialized Samirah Raheem’s “Slutwalk interview” in “My Body. My Future.” Everything about Kristy Harper is pretty FEMME HOUSE af come to think of it. Hold up, I just realized that these bad bitches don’t know each other. Think I need to fix that when I finish this post…. will report back if anything cool happens from that. Also when you’re done obsessing over “My Body. My Future”, you HAVE to listen to “The System Is Fucked”, especially if you’ve been up to your eyeballs in stonks lately.

15. Otzeki - “Max Wells-Demon”

    I’ve come to learn that the reason why I love Otzeki so much is because they make getting to know your shadows seem way less daunting of a task than we often think it is. I’m really glad that they’ve started trickling out new tracks over the past 6 months. I didn’t realize how much I’ve missed their presence until they were back. Not only are they back, but they’ve got a new record coming out on March 19th called Now Is A Long Time. And I know by other people’s standards I should be talking about “Unthunk” because that came out yesterday, but I am genuinely just obsessed with how quickly “Max Wells-Demon” was able to permeate every cell in my body. And ofc I’m being dramatic about this, but you know when you can’t shake the way a song immediately feels like an extension of yourself? Yeah. Also the music video for this is really cool.

16. Pat Lok - “Pardon My French”

    The Magician recently dropped a compilation called Magic Tape 001, which features tracks from a lot of really great people I already admire and some that I can’t wait to get to know better after being exposed to them through this release. I really like this contribution from Twitter fam Pat Lok, who I feel the need to go on record to say that this pandemic would not have been the same if I hadn’t been able to spend as much time as I wanted getting lost in his 2017 LP, Hold On Let Go. If you haven’t tuned in to at least one of his Fone A Friend chats on Twitch mannnnn you’re missing out. Essentially lurking on two musicians talking about music and going through demo tracks that people have submitted and giving them feedback…it’s just such a wonderful thing to see.

[SONG OF THE DAY] LP Giobbi - "Meet Again (feat. Little Boots)"

IT’S
VIBE
OCLOCK
ON
FRIDAYYYYYYY 🎉💃🏼🕺🏼

Y’all know how much love I have in my heart for LP Giobbi. In addition to her consistently dropping back to back bangers, it’s been so inspiring to watch how her FEMMEHOUSE initiative has really taken off. I’m constantly seeing new sessions coming up to help empower women with the tools to be their very own badass.

Today we’ve been blessed with a new track, a piano house #posiparty anthem titled “Meet Again”. The track itself came together pre-covid while LP was riding a train in Vienna on the way to a show last winter. Then while in lockdown, she sent it over to Little Boots to get her creative take. As timing would have it, Little Boots had just recently heard Queen Elizabeth II’s speech where she implored the nation to keep hope alive during these dark times we’re living in, reassuring everyone that, “We will meet again”. The rest, as they say, is history. “It’s such a simple line, but I felt pulled to share it as a meaningful message across the world to everyone feeling lonely, disconnected or sad,” shares Little Boots. 

LP has also shared an accompanying video for the song, featuring a montage of simpler times from her childhood. There are a lot of adorable *BB Giobi* moments in the montage, a lot showcasing just how much she was raised around music (but you already knew that because you read my interview with her 😘).

If Mark Ronson’s recent cover of Richard & Linda Thompson’s 1974 classic, “I Want To See The Bright Lights Tonight” (as seen on diSKOAver weekly) was hitting you right in the Yearning For The Dance Floor Feels™, “Meet Again” is the [for now] bedroom dance party banger you need to get you to the other side of this pandemic. It definitely has me daydreaming of my next outing with LP Giobbi filling the floor with her selects and originals. That last show at Elsewhere dancing and hugging with TC from Crush Club and LEFTI was def one for the books.

Speaking of bedroom dance parties. LP Giobbi is keeping busy on Twitch during the week, spinning hella house a whopping five days a week. Schedule for all of her upcoming livestreams are below in addition to tonight’s FEMMEHOUSE session.

LP GIOBBI’S WEEKLY SCHEDULE ON TWITCH

Wednesday 1:30 PM EST: LP Giobbi’s Club Set
Thursday 1:30 PM EST: LP Giobbi’s World House Party
Friday 1:30 PM EST: LP Giobbi’s Techno & Coffee House Party
Friday 9 PM EST: LP Giobbi’s Chicago House Party
Saturday 1:30 PM EST: LP Giobbi’s Piano House Party
Sunday 1:30 PM EST: LP Giobbi’s Gospel House Party

OTHER UPCOMING LP GIOBBI LIVESTREAMS

July 11th: LP Giobbi @ Rave Family Block Party - Femme House Stage [TICKETS].

July 11th + July 12th: LP Giobbi @ Retrospektfest (exact time TBD)

[Interview] FEMMEHOUSE DJ LP Giobbi On Empowering Women Through Production, Going 'Tits First' Into Her Career

Los Angeles FEMMEHOUSE producer and DJ LP Giobbi (born Leah Chisholm) is a bit of an anomaly when it comes to her trajectory into present day and without a doubt Some Kind of Awesome. Raised by a couple of Deadheads in New York, she started playing piano when she was in 2nd grade and experimented playing in bands as she grew up. "I was always the music kid. I played in the bands," LP explains, "I was that person." When it came time for college, her supportive parents encouraged her to pursue her passions, and she found herself taking all music classes at UC Berkeley in Los Angeles, California. She graduated with a degree in jazz piano and, drawing inspiration from her upbringing, sought out a job at Another Planet Entertainment, home of Outside Lands Festival, Treasure Island Music Festival, and more. After reading the biography of legendary rock promoter Bill Graham, who worked with the likes of The Grateful Dead, Jefferson Airplane, and The Rolling Stones, she decided to write a letter to president Gregg Perloff, who had worked directly under Graham for many years.

"I wrote a letter as to why they should hire me and I literally walked down to their office, found their address, rang the buzzer and asked for Gregg Perloff," she recounted. "They assumed because I had so much ignorant confidence that I did have a meeting with him and they let me in." As luck would have it, Perloff actually stepped out of his office around the same time that the APE staff were trying to assess what the then-nineteen year old's intentions were. "I think at that moment they were like, 'There's a stalker in the office'", she said, "but I walked over to him and I said, 'You know, you would really benefit by hiring me and here's a letter as to why'." Completely blown away by her go-getter attitude, Perloff read her letter while she stood in of him and then hired her on the spot.

This is one of the many stories that LP would share with me during our conversation the evening before her set at Brooklyn nightclub Output, alongside Animal Talk labelmates Crush Club and label founders better known as electro pop sensations Sofi Tukker. While her attitude towards life is often more of a "Tits First" policy, leaping into everything assuming that a safety net will appear, it took a while for her to be honest with herself about wanting to pursue music full-time.. "After a lot of soul searching and conversations with the best pals, I learned it was actually fear of not being able to make it as a musician [that] was putting me on the industry side of things," she explained.

By chance, she was approached to be part of an all-female electronic project, LEX (later known as LJ Laboratory), despite not knowing the first thing about making electronic music. "I did not even know what a synthesizer was or how to turn it on," she admitted. In true Tits First fashion, she would spend the next three years familiarizing herself with DAW systems, ProTools, Abelton, and sound design, which helped bring her to her present-day production prowess.

During that time a friend invited her out to catch house legend Tornado Wallace. Entirely unaware of the inner workings of electronic music, the experience blew her away almost instantaneously. She recounted, "I was like, 'Is there a piano up there? Where's all the music coming from? Like how is there one guy playing all this music?'" For the reminder of the set her friend would proceed to break down everything that Wallace was accomplishing on his own on stage, going so far as to pounding on her shoulder during the 2/4 time signatures.

Beyond being impressed by Tornado Wallace's technical ability, LP was wholly captivated by the sophisticated yet simple nature of house music. "What was so interesting about it was that I had spent the last 4 years in college intellectualizing music," she recalled. "When I was at this club listening to this music it was all about the body. It was like meditative almost. It was the first time in a long time that I had a connection with music on a non-intellectual level."

After that encounter she knew that was the kind of music experience that she wanted to curate for her listeners. She explained, "I wanted to understand it. I wanted to know how to make people tick with it. That's what I wanted to be a part of."

LP admits that her "inner music major" can get in the way as she works on new music: she occasionally struggles with over-intellectualizing. "[In college] it was like 'Let me show off and show you how much I can say really quickly'" she said. After graduating college, however, she was challenged by some sage advice from a songwriting partner. "The very first thing she did," she recalls, "was rip up all my music and said, 'I don't wanna hear how many things you can say, I wanna know WHAT you're saying.'

It's something she still battles with in present day. She detailed,

"The note that I get back from Tucker [Halpern (Sofi Tukker)] every time I send him a track that I think is ready to be released, is 'DO LESS'. 'Take things out'. 'Say more by saying less'. My motto in life is 'More is more' so that's been really challenging for me, *laughs* but ultimately it has benefited [me], I think, for like focusing in on what I'm trying to say. It's been a really good challenge for me."

When she's able to achieve the perfect balance of doing less and saying more, the result has been nothing short of deeply impactful. An easy example of this is her debut single, "Amber Rose", which features Hermixalot reciting lines from a poem she wrote 10 years ago about then-girlfriend of rapper Kanye West and present day feminist icon, Amber Rose. When she's not making songs about women reclaiming their agency you can find her making more clever club-filling music. In "These Are Your Children" she pays homage to the history of New York City nightlife by sampling former club kid king Michael Alig’s 1990 interview from the Geraldo Rivera show. Her latest single, "Kupsa Kupsa" features a collaboration with French rapper H3RY LÜCK and is a playful song entirely in French about how making music is akin to cooking and is simply a blend of all the best ingredients.

One of the most admirable things about LP is that despite being involved in the electronic music scene for a somewhat short amount of time that she's already making a point to pour her heart into the community that helped her connect to music on an emotional level. She specifically makes it a point to leverage her white privilege and opportunities to provide a platform for other women, specifically women of color, in addition to the LGBTQ+ community.

Earlier this month, she partnered with Live Nation and launched the first of a series of events in San Francisco at their new August Hall venue under the name FEMMEHOUSE. The events give women the opportunities to take DJing and sound design classes prior to a series of performances of which there will be a few spots kept open for the women to practice the skills they've learned. "I think our whole goal in all of this is to be gatekeepers where, you know, the gatekeepers have normally been white men, she explained, "We wanna give them a stage and we wanna give them a voice and we wanna give them tools to use those things."

For LP, teaching women music production is a way to empower women in music, specifically vocalists, who are often at the mercy of their male producers."I feel very passionately about having women control that narrative and having them control their own voices," she says, "Or at least be able to speak the language when they do get into the room with a producer. That to me is what FEMMEHOUSE is all about."

LP Giobbi at the inaugural FEMMEHOUSE event on November 1st at August Hall in San Francisco, CA. photo credit: FEMMEHOUSE instagram

“I feel very passionately about having women control that narrative and having them control their own voices, or at least be able to speak the language when they do get into the room with a producer. That to me is what FEMMEHOUSE is all about.”

— LP Giobbi

In addition to FEMMEHOUSE, LP is also responsible for being the driving force behind the Santa Barbara Girls Rock camp being able to expand their course offerings to also have a music production class. Upon leveraging a recently made relationship with Native Instruments, she pressed the company to donate the necessary gear, and then even taught at the inaugural music production camp. "We taught [10 year old girls] how to make a song in Abelton," she gushed, "They used a bunch of like the Native Instruments keyboards and DJ controllers and it was SO FUN." The experience actually ended up inspiring to flesh out her then-initial stage idea for FEMMEHOUSE.

It is no surprise given how excited she was while we talked about her experience at the Santa Barbara Girls Rock camp that she has found a happy home within the artist collective Animal Talk, born from Sofi Tukker members Sofi Hawley-Weld and Tucker Halpern. According to LP, "Animal Talk is more than a language *laughs* Animal Talk is the best place on earth in my humble opinion."

Born around the idea of tapping into your child or animal, she explained the importance of being a member of the collective,

"Sofi [Hawley-Weld] always talks about how as an adult you go and meet with one of your friends, you sit down and have a beer, and you're like, 'This is what I'm doing with my life', you catch up, and that's it. But as children, we would play. We would build sandcastles. We would play dress up. We would play make believe. We would create things together. That was such a natural state of being and in adulthood that gets killed, so we wanted to make Animal Talk a place, like a physical/spiritual place. Physical in the parties and spiritual, you know, offline. In that reminding people that we can still play, we can still create, we can still be children. A place where they can free themselves and where they can tap into their inner child or inner animal and, you know, remember what it's like to play and to create. I think that that is the key to joy in life."

This interview has been condensed and lightly edited for clarity.